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Priority Interrupt Archive

 

Priority Interrupt
by Steve Ciarcia


Getting Ripped

 

Ever wonder why technology advances the way it does, or doesn’t? I started thinking about this yesterday when I stopped by a local electronics/appliance store (not connected, but I was looking at electric stoves). While I was there I wandered over to the TV department and noticed that virtually every set was high-definition this or HD-ready that. There were at least four display technologies and a dozen brands. High definition is here, folks, at least as far as your ability to see it, finding something to watch on it is another matter.

Since I already have two HDTVs, I wasn’t in the market for another set. Instead, I asked if they had any high-definition DVD players or high-definition recorders. It seemed like a reasonable question because it’s an obviously untapped market with all the displays they must be selling. To make a long story short, the answer was "nope!" There was a digital VCR (non-HD) but nothing else anyone knew about.

Wait a second. I bought a 5-megapixel camera last week for half the cost of the 1-megapixel camera I bought four years ago and half the cost of the 4-megapixel camera I bought last year. What do you mean no HD DVD players? Given the technology I see crammed into every computer and video game these days, making a high-definition DVD player should be a no-brainer.

Well, it should have been obvious to me, but the no-brainer part is that the industry is holding off producing one because of digital piracy. Sony, Panasonic, and the like aren’t going to sink a billion dollars into designing and marketing a high-definition DVD player/recorder if none of the movie or music manufacturers will license media to play on it. The closest I could find to an HD video player is from JVC. Dubbed D-VHS, the system uses special high-definition VHS tapes, but it’s still an old-clunker VCR in my book. The only reason that there are any pre-recorded movies available at all for D-VHS, is that JVC has apparently convinced the media giants that the decryption algorithm is locked in the machine electronics. Because it’s not available on a computer, it can’t be pirated—this week, at least.

Digital piracy, the unrestricted swapping of copyrighted movies and music, has the media giants ripped (pun intended). Perhaps because of a perception that anything on the Internet is free, there is an entire world of users who do just that. Every day, millions of ordinary people download billions of files: music albums, movies, cable TV shows, video games, etc. Just download and install a peer-to-peer file-sharing program and join the crowd. Everyone has heard of Napster. It is gone now but others have replaced it with a vengeance.

The problem is smart people, not technology. Smart people design the encryption schemes—like Sony’s expensive CD-copy-control technology. Similarly, it took a smart person to figure out that you could defeat the anti-copy data by simply running a black marker around the perimeter of the CD. There are no HD DVD players for the same reason. The fear is that shortly after the first DVD is inserted into a computer drive, someone will crack the protection scheme and tell the world. That happened with the original DVD encryption, and it’s naive to think it wouldn’t happen again.

There is a plethora of solutions being offered. Microsoft has jumped into the game with both feet and will be offering high-definition DVDs. Initially, they will be encrypted and only play on PCs with a special version of Windows Media Player. Ultimately, Microsoft’s objective is for all PCs to include special "copyright-material security chips," viewed by many as simply a new means for corporate and government spying. In the meantime, the Recording Industry Association of America (RIAA) intends to create a full-employment program for the legal profession—basically, they plan to sue everybody they can. The RIAA is preparing to file hundreds of lawsuits (with damage claims as high as $150K per song) against the people who are offering music to others. If you keep a large catalog of music as part of one of these peer-to-peer organizations, you may find yourself a target.

Personally, I’d like to see some high-definition DVD players hit the shelves before the two sets I have become obsolete. I can’t define the correct path leading to an answer for all this, but somehow I think that finding a legal and profitable way to give people what they want is the only correct solution. Undoubtedly, much of the piracy is driven by cost. Even if a legal sledgehammer stops the piracy, it doesn’t automatically convert all these people to buying customers if the only way to get the one song they want is to buy a $17 CD. There is a message when a service like Apple iTunes—with no subscription fees, $0.99 per song cost, and 30-second free previews—sells five million songs in the first two months of operation. Maybe someone has to set it to music for the RIAA.

 

steve.ciarcia@circuitcellar.com

Published: September 2003